This fall, for the first time in 11 years, I was not going to make wine, and so I stopped caring about the weather. Let it rain. Let it freeze. Let the sun come out and sizzle the grapes on the vine. I wasn’t worried about which parcel to harvest. I wasn’t getting up at dawn to walk the rows tasting grapes. My back wasn’t sore from lifting crates, and I wasn’t working late into the night at the selection table. Thank God.
Then I walked into my neighbor’s cellar pungent with the aromas of yeast and CO2, the echoes of tank ladders and loose hoses clanking, the smell of marc, the wine-stained tiles. I almost burst into tears.
As luck would have it, that night at a dinner party, I sat across from a friend, Piero, with a farm in Chianti, who asked me if I knew anyone who wanted to buy a few tons of grapes.
“Why are you selling?” I asked.
“My brother and I don’t know how to make wine,” he said, “let alone sell it. We’re planning to take out the vineyard but we want to sell the last crop.”
I knew the village where he farmed but wanted to know more about the vineyard: “How high?” I asked him.
“400 meters.” That was all it took to fall in love.
Two days later, I went to see the object of my desire: a few acres on a steep, south-facing slope, with—where soil should have lain—layers of splintering galestro, the schist-like rock that is found in the appellation’s best vineyards.
It was a warm, sunny, late September afternoon. I walked the rows of vines planted by Piero’s grandfather in 1970. The vine training method looked like rows of bad haircuts; the grapes tasted diluted. Piero showed me the cramped cellar with its old, cement tanks. I tasted the 2015 and 2014 wines untouched since their fermentations: the musts had been over-worked, but a hint of something noble came through. Typical of the smitten, I was already dismissing potential problems and latching onto hope: the hope that from this vineyard I could make wines as elegant and mouthwatering as the Burgundies I nursed and studied in the evening.
Out of a self-protective negotiating habit, I hid my enthusiasm and told Piero I’d let him know. I knew if I went ahead, the next few weeks would be utter chaos: harvesting from dawn to dusk, a daily visit to the cellar to check the fermentations, taste each tank, pump over the wines if needed. I’d have to find barrels at short notice. I wanted to photograph and film and write down each step of the process. How would I manage my day job? The kids? Maybe it was saner to walk away.
I held out twelve hours before calling Piero to gush about the quality of the site, the charm of the little cellar, the beauty of the current vintage, and to describe how together we were going to revolutionize Italian wine making–show up the Italian enologist “mafia,” open people’s eyes. I explained how the oenophiles would flock to see his vineyard. I ran through the costs for him and the potential earnings (at least three times the yield from selling the grapes, if we split the profits). I called around to find people to harvest the next day, and after lunch, I went back to Piero’s to help him wash the de-stemmer and set-up. I was donning my Wellies, when Piero’s mother, a small, prim old woman came onto the terrace above the cellar and peered down at us.
“Piero!” she hollered.
“Eh,” he muttered, looking up.
“Buonasera, Signora,” I offered. She did not acknowledge my presence.
“Your brother makes a commitment,” she continued to bellow, “And you shit on it!”
“Huh?” Piero said.
I had never heard the particular expression she used, let alone from an 80-year old woman!
Piero’s brother had gone to the Consorzio del Chianti Classico the week before to check on the price he could get by selling the grapes. According to Piero’s mother, he had signed a contract to do so, although normally no such contract is needed and, even if signed, it was probably not binding. He could always have said the boars had eaten the grapes.
But I knew it was too late. My dream would die there.
A few days later, again at a dinner with Piero, he mused on how different people’s values can be. What’s important to his mother and brother (50 years old, never left home, works for a local winery rather than on his own farm), is not to disrupt the day, the routine, the way things are. To resist change, at all cost. And to prevent others from bringing about change as well.
Now that the harvest is over (Piero’s brother didn’t lend a hand), it seems it may be possible to come to an agreement for next year’s harvest. I could officially lease the vineyard and cellar, or Piero and his girlfriend and I could form a company to buy the grapes. I could prune the vines this winter the way I want to, green harvest in July to reduce yields and concentrate the grapes, organize the vendemmia and order my barrels in advance. I’m wary of Piero’s mother–What will it take to win her over? Plus, I’m still just a tiny bit sad. 2016 was a gorgeous vintage and, as any winemaker knows, there’s no one like Mother Nature for making great wine.
5 thoughts on “Sweet Dreams”
This is beautiful, a little sad, but now you can plan for next year!
This is really, really good Jem. Enjoyed the read very much. I love wine, drinking it that is, don’t know a ton, but know what I like, this peaks my interest. Well done! Cheers to you. TS
It was a delight to read this unbearable story of real tuscan- etruschian persons!!